Since its establishment in 1990, Durat, a Finnish leader in sustainable design materials, has been at the forefront of both ecological innovation and aesthetic functionality. With a steadfast commitment to transforming industrial waste into high-quality, recyclable solid surfaces, Durat redefines the traditional use of recycled materials. At the core of its philosophy, deeply rooted in the principles of the circular economy, these values are evident in its product offerings and holistic approach to design and production. During Milano Design Week 2024, Durat showcased the “PORTA DEI COLORI” installation, a vivid illustration of their philosophy. This installation, brought to life by Linda Bergroth, symbolizes the marriage of sustainable practices with imaginative design. It demonstrates that recycled materials can be used beyond just practical applications, achieving significant artistic value.

Designer: Linda Bergroth + Durat

Unlike traditional countertop materials such as granite, quartz, or laminate, Durat’s sustainable solid surfaces present several environmental and functional advantages. Traditional materials like granite and quartz involve energy-intensive mining processes and often require long-distance transportation, which significantly impacts the environment. Additionally, laminate countertops may release volatile organic compounds (VOCs) due to the chemicals involved in their production. In contrast, Durat’s materials are crafted from recycled post-industrial plastics, significantly reducing the ecological footprint by minimizing waste and avoiding the depletion of natural resources. These surfaces are eco-friendly and fully recyclable at their life’s end, promoting a sustainable lifecycle.

Durat’s materials have the potential to outperform traditional options in terms of durability and ease of maintenance. While granite is robust, it can crack under severe impact and requires periodic sealing to prevent staining. Quartz, though less prone to staining, can suffer damage from excessive heat. Laminate, although versatile, is vulnerable to scratches, chips, and heat damage. In stark contrast, Durat surfaces are engineered for resilience and longevity, capable of withstanding wear, impact, and high temperatures without compromising their structural integrity or appearance. Their non-porous nature ensures they’re hygienic, easy to clean, and resistant to bacterial growth, making them ideal for both bustling commercial environments and busy home kitchens.

While traditional materials are often constrained by the availability of natural patterns and colors, Durat offers a refreshing alternative with its diverse range of over 300 colors, complemented by distinctive grit effects that create dynamic and continuously evolving patterns. This vast palette provides remarkable creative freedom, enabling designers and architects to precisely tailor their projects, pushing the boundaries of design aesthetics from the minimalistic to the avant-garde. These materials are lighter and more adaptable than their stone counterparts, simplifying the installation process and making repairs and refinishing easier. They also appeal to a wide array of consumers and professionals. Eco-conscious consumers and businesses appreciate Durat’s commitment to environmental stewardship, aligning perfectly with their sustainability practices. The durability and hygienic properties of Durat surfaces make them ideal for high-traffic areas like schools, hospitals, and retail spaces, where facility managers need long-lasting, easy-to-maintain solutions. Additionally, the ease of installation and maintenance makes Durat a favored choice among DIY enthusiasts, enhancing its popularity for home improvement projects and allowing for reduced installation costs while maintaining the material’s pristine condition over time.

This dedication ensures Durat’s solid surfaces meet today’s design professionals’ aesthetic and functional needs while also contributing positively to environmental conservation, positioning Durat as a leader in the future of sustainable modern design.

The post Durat’s Sustainable Surfaces Merge Aesthetics with Environmental Ethics first appeared on Yanko Design.

Recycle and Reuse have become the buzzwords today. Most materials – single-use plastic excluded – are being recycled, and some plastic items such as bottles are reused to restrict them from reaching the landfills. Plastic pollution is therefore a big menace globally that designers are trying to solve with potentially innovative ideas. In that league we came across the Reusable: a collapsable, reusable cup that is made from food-grade material and fits right in your pocket so you can carry it wherever your routine takes you.

Disposable paper cups have been around for a long time now. Not essentially made with the purpose of being reused, such cups have to reach the landfills after one time use. All right, some of these to-go cups are recyclable, but some paper cups contain a plastic or wax coating – to prevent leaks – rending their unrecyclable. This is where a solution like the Reusable makes a lot of sense, not essentially because it can be recycled at the end of life, but since it can be reused a multitude of times before it can be retired from the lifecycle.

Designer: Kalina Gotseva

The brainchild of British-designed Kalina Gotseva, the Reusable has been 3D printed from durable, food-grade silicone. Made in a unique twisted design, after thousands of iterations on paper and other materials, the Reusable is made collapsable, transforming the cup from a full-sized option to a compact form factor that allows it to fit in the pocket.

Making a silicone cup with all the intricacies to make it reusable, the cup is a direct benefit product for millions of tea and coffee drinkers around the world, whose day wouldn’t start with the pipping hot beverage picked from the driveway in a throwaway one time use cup. This scenario could change with the benefit of Reusable which you can flip out of your pocket and have your drink served to you in it.

With the foldable and reusable design, the question of safety and convenience does arise in the mind. Gotseva has taken care of every detail, starting with making the entire foldable design self-contained. For that, the designer ensured that the body of the cup folds down flat and it can then fit securely in its cap to remain intact and dust-free in your pocket/bag. The protective cap is not just the Reusable’s case, in fact it has a tested push-and-pull slider on the drinking hole, which offers leak-proof convenience, so you can carry and drink your beverage safely, at your convenience.

The Reusable despite all the nifty features has sleek aesthetics paired with an ergonomic grip and three interesting color choices to pick a cup that matches your style. Created from BPA-free silicone, the cups are colored – with food-safe options – during the injection molding process. These are available in dark blue, light aquamarine, and vibrant orange colors to choose from. I don’t know about you, but I’m waiting for the Reusable to hit the market. My pick is orange, what’s yours?

The post 3D-Printed from food-grade silicone, Reusable is a collapsable, pocket-friendly cup you can carry anywhere first appeared on Yanko Design.

Chairs can come in all shapes and sizes. Some can take on complicated and organic forms, while others can be extremely minimalist or even brutally raw. They can range from designs that take inspiration from nature to those that adhere to simpler geometric shapes. The Euclid concept is one of the latter, aptly named after the ancient Greek mathematician. But while it draws its shape from a simple cube, its execution sparks a bit of wonder and curiosity as it resembles more the skeleton or wireframe of the shape, represented by almost unbroken lines that are reminiscent of Escher’s famed optical illusion, the impossible cube.

Designer: Sonakshi Gupta

Admittedly, it’s a bit difficult to see the Euclid chair as a cube, since most of us have this idea of a cube as having 12 lines that are all connected at eight corners to form six faces. Then again, that popular Escher object already shows an impossible depiction of that shape, and those familiar with that print might see some of that characteristic in this chair when viewed from certain angles. Overall, it creates a dynamic form that has your eyes following the lines and moving all over the place, sometimes confused about where the front and back sides are.

Its unique form isn’t the only notable thing about this concept, however. Its use of reclaimed wood gives it more than a sustainable character. That material, in a way, carries some history from what it was before becoming a part of this chair. Even if that past is unknown to the new owner, simply knowing it has one could give each Euclid chair its own unique charm.

And then there’s the method used to bring all the pieces together. Instead of requiring screws or even glue, a mortise and tenon joinery is used to provide stability without introducing complicated mechanisms. In theory, this could make it easy to later take the chair apart if some pieces need to be replaced, though that could also start to weaken the connection over time if done too frequently.

The Euclid concept chair offers a design that is minimalist, sustainable, and visually interesting. Whereas a cube is pretty much the epitome of symmetry, the missing edges and disconnected faces give the chair a bit more volatility. That said, it doesn’t seem like the most comfortable chair to sit on. Even if you put a cushion on the seat, the hard edges of the armrest and especially the backrest could give your body some grief after a long period of time.

The post Geometric chair concept almost looks like an Escherian optical illusion first appeared on Yanko Design.

Sustainable furniture and designs are thankfully becoming more common, but the “sustainable” label can actually be applied to different things. They can be made from recycled materials like metal or PCR plastics, or they can be made from new but biodegradable materials like wood, cork, and paper. While both kinds are good, they don’t always address the accumulating material waste that comes from the production of these objects, even the bits and pieces of wood that get left on the cutting room floor and then thrown out. Giving a new purpose to these by-products is another sustainable practice, one that is being applied to a beautifully minimalist office chair that’s made from dozens of sheets of paper.

Designer: Arper

Of course, it’s not literally made from paper, which would be too soft for a chair no matter how many sheets you stack, especially for a sleek and slender seat based on Arper’s iconic Catifa 53. Instead, it uses PaperShell from a Swedish startup of the same name, a material that almost poetically transforms paper, which comes from wood, back to a wood-like material that offers rigidity, stability, and, more importantly, beauty. In a nutshell, it uses both wood by-products like sawdust and chips as well as waste wood like fallen branches in forests to create a new paper-like material that can be used in place of wood, plastic, or fiber composites.

That’s the case with the Catifa Carta, which compresses dozens of these sheets into a composite that’s then bent and formed into an elegant chair with a gentle slope sitting on top of thin yet sturdy metal legs. Unlike its older sibling, this more sustainable version of the chair leaves the seat in its original, unpainted glory. That means you can see the natural imperfections of the PaperShell material, giving each chair a unique character. It’s pretty much the same as the highly prized grains in wood that give designs their natural charm.

What’s even more special about the chair is that even the end of its life has a story to tell. PaperShell can be recycled to produce new and different products, but it can also be turned into biochar to nourish the Earth. The material itself sequesters carbon dioxide which can be used to enrich soil. It’s a truly circular life cycle that starts and ends with the Earth. Appropriately, Arper has made the Catifa Carta easy to disassemble to make this process even easier.

Of course, the chair isn’t just a thing of beauty inside and out, it’s also a functional piece of furniture. Though some might have concerns about the ergonomics of using such a chair for long periods at work, it’s still a well-designed seat that makes you feel good not only about sitting on it but also about the exciting journey that this wood-like material has made since its birth from a seed.

The post Sustainable office chair uses paper-like material made from wood by-products first appeared on Yanko Design.

3D printing blasted the doors of creativity wide open by allowing almost anyone and everyone to create complex designs on demand. That market started with different kinds of plastic but soon supported other materials as well, including metal and even chocolate. The popularity of this style of design and production, however, also meant a surge in material waste, especially different kinds of non-recyclable plastics. There is a greater need for more sustainable alternatives, one that can perhaps even support a fully circular lifecycle. There is perhaps no better material that meets those requirements than wood, which is why this new 3D printed wooden partition screens and window coverings could very well represent the breakthrough that the design industry needs.

Designer: Aectual

Designers have a soft spot for natural, sustainable materials and wood is perhaps one of if not the most favored one. It is easily sourced, though not quickly replenished, has unique aesthetics and textures, and can decompose safely. That said, it’s not easy to form wood into complex shapes and structures, even if you carve out the design, and the material isn’t exactly easily reusable even after being recycled. This new 3D printed wood addresses all those shortcomings, offering an almost perfect material for bringing intricate, sustainable designs to life.

This sustainable new material is itself made from wood waste blended with some natural ingredients such as lignin and cellulose. It is then reinforced using vegetable fibers like flax or hemp to give it the same durability you’d expect from wood. The result is a composition that doesn’t just look like wood but also feels like the real thing. In fact, it even smells like real wood, a trait that’s hard to reproduce on other synthetic wood alternatives.

Aectual’s material, however, does something even better than wood. After a 3D printed wooden product reaches the end of its life, it can be shredded and then reprinted into some other or the same form. This creates a truly circular lifecycle where the material is reborn again and again as long as it retains its integrity and stability. And when it can no longer be reused, it still degrades and decomposes safely just like ordinary wood.

Of course, it’s a 3D printed material, so it’s almost trivial to create structures and shapes that would be extremely difficult if not impossible with regular wood. You can have intricate repeating patterns that join together with no visible seams, or alternating shapes that are made as a whole rather than composed piece by piece. It might be too early to claim a complete victory, as the process of creating this 3D printed wooden material might still be too involved and too costly, but it’s definitely a great start in producing a viable alternative to designers’ most-loved material.

The post 3D printed recycled wood could kickstart another design industry revolution first appeared on Yanko Design.

Apple is not a big fan of reusing its products for something else, at least something that is still close to the original function of the design. It probably won’t object to completely unrelated applications of those designs, especially when it’s for a creative and artistic purpose. The non-functional parts of an iPhone, for example, could be disassembled and framed to be displayed as a piece of tech history. Or one might simply take the empty shells of old Mac Pro and turn them into a piece of structural art, which is exactly what this rather striking metal bench tries to accomplish in a way that will probably make you wonder how strong those old Apple desktops might have been.

Designers: Quinner Baird, Alec Alborg, Ferb Liebana, Berit Levy, Jaime Uriarte (Caliper)

The designs for more recent Mac Pros have been rather controversial, to say the least. The cylindrical 2013 was derided for looking like a trash can, while the boxy 2019 design, though a bit more traditional, is jokingly called a cheese grater. Neither are good foundations for a stable piece of furniture, but the first-ever Mac Pro fortunately fits the bill perfectly. It was a minimalist brushed aluminum box with tapered legs on the front and back to raise it up and equally tapered handles on those same sides for easier lifting.

Made for Manhattan clothing brand Hidden as part of store display, the Mac Pro Bench is exactly what it sounds like. It takes two first-gen Mac Pros, totally gutted of any and all electronic components, and has a folded aluminum plank attached on top. The plan has a tapered shape that fits perfectly between the front and back handles, making it feel as if the desktops were made for this very purpose. Two versions of the bench exist, one preserving the brushed aluminum aesthetic of the Mac Pro, and another thoroughly coated in Hidden’s green motif.

It’s not being sold en masse, which will probably keep Apple’s lawyers happy, though there are also ways to make your own. That said, it’s probably not a good idea outside of making it a decorative piece. It’s actually not tested how much weight the Mac Pros will be able to handle, especially with a bench meant to sit more than one person. The hollow legs of the desktop don’t look reassuring either, and it might have been more practical to have sawed those off, even if it meant ruining the original Mac Pro shape.

That said, it’s possible to reinforce the foundations of the Mac Pro Bench to make it a more usable piece of furniture. More importantly, however, the piece of art could also spark the imagination and creativity of others to make similar designs that reuse discarded desktop PCs in a less conventional and more interesting manner.

The post This aluminum bench stands on the shoulders of discarded Mac Pro cases first appeared on Yanko Design.

According to most existing research, around 60% of discarded materials from homes and businesses in the U.S end up in landfills or are incinerated. Of course there are those who have started segregating their trash and have actually recycled them or sent materials to recycling centers. Of course that’s still a very small percentage compared to those who are just not conscious about their consumption and waste cycle. Fortunately for the earth, there are companies whose main purpose is to come up with products that can address these “waste and pollution challenges” by using circular production.

Designer: Enkei

One such company is a Swedish company called Enkei which refers to itself as a “circular startup” as they aim to change the way we create products from the materials used to how they are actually manufactured. Their very first product is the Reminder (001) Lamp which is both functional and aesthetic but more importantly is majorly made from repurposed waste. The movable textile shade is made from various repurposed materials including high-end fashion deadstock, scrap-based wire, recycled bio-plastics, and 3D-printed fossil-free steel.

The lamp design itself is made up of two contrasting shapes that fit into each other like puzzle pieces. The lamp shade itself can be adjusted as well. It gives off a minimalist vibe that can fit right into your space with its space gray, white and luminous colors. It can look like a simple art piece if not used as a lamp but it also gives off a smart speaker vibe reminding us of Google Home speakers. But of course the selling point of this product is how it is produced with all the circular materials while still maintaining quality and design since of course you’d want a lamp to function as a lamp.

Enkei has also developed its own alternative to the usual concrete materials used in construction. ReCeramix uses ceramic waste from construction sites instead of the sand that is used to create concrete. The Reminder (001) Lamp will be unveiled at the Stockholm Design Week this week although you can already sign up to be waitlisted to buy the lamp.

The post Minimalist aesthetic lamp uses repurposed waste for circular production first appeared on Yanko Design.

Over the past years, we’ve “stanned” brands that not only uses sustainable materials but are also able to upcycle and recycle materials to create new products. We’ve become conscious about how we consume things (well, hopefully, we’ve actually become conscious of it) and how this consumption culture affects this planet we’re living in. Ikea is trying to capture our hearts by creating a new lifestyle line created from materials that they themselves had to discard.

Designer: Ikea

The Swedish brand will be launching their newest collection called VÄXELBRUK which is uniquely made from their recycled coworker uniforms that were discarded when they introduced new attire back in 2020. So instead of just throwing these old uniforms into the trash heaps, they came up with new products that were made from 300 tonnes of these “useless” IKEA uniforms. If you’re not a fan of yellow and blue though, you might want to look elsewhere, even though they managed to tone down the colors considerably without dyeing the textile, which can be more expensive and resource-intensive.

The collection features 16 textile-based items that use the aforementioned old uniforms. This includes things like throw pillows, bags, cushion covers, and even curtains. They are not entirely made from the uniform textile though as they are blended with other recycled materials like polyester from used PET bottles. They also even included some of the “faulty” new uniforms so they will also not go to waste. The inclusion of other materials also helped to alter the colors that are normally so bright.

If you didn’t know that they were made from discarded co-worker uniforms, you’ll just think they’re normal Ikea products that use the iconic colors of the brand. But knowing there they come from makes it even more interesting. The VÄXELBRUK (which means interchangeable use in the Swedish language) collection will be released in February 2024 across Europe stores.

The post Ikea repurposes old uniforms into new lifestyle collection first appeared on Yanko Design.

While there’s a conscious effort to remove plastic from our regular consumption, it still manages to play a pretty large (and unavoidable) role in packaging. Whether it’s shrink wrap, bubble wrap, sellotape, or even styrofoam… it seems like getting plastic out of packaging may just be an impossible task. However, a German company is working on an alternative to replace styrofoam in packaging. Their solution? A cushioning material made out of grain husks.

Designer: Proservation

The intended purpose of a product’s packaging is simply to help it cover the journey from factory to consumer. After it’s made this journey, a product’s packaging ends up becoming waste. Scale that up to account for the population of the world and just how many products we buy in a single given day or week, and you’ll realize what a massive problem we have on hand. Sure, it’s easier to recycle cardboard boxes and I can even stretch that argument to bubblewrap or foam peanuts… but it’s nearly impossible to recycle molded styrofoam pieces because they’re specifically designed to hold a certain product and can’t be used anywhere else. Conventional styrofoam is made by passing a foaming agent through plastic, causing it to bubble up into the lightweight styrofoam you use today. Given that it’s essentially made by combining plastic and air, recycling styrofoam as a material is borderline impossible… but replacing it isn’t.

Proservation’s solution is a product called Recou – a ‘molded’ packaging material that’s made from grain husk (which is also what nature uses to package grains!) When grains are harvested, the husk or chaff is removed and either discarded, burned, or used as animal bedding. Proservation has a clever alternative solution – upcycle this husk into a soft, impact-resistant material that does the job of styrofoam, while essentially being biodegradable. The husk is collected and bound together using a proprietary bio-based binder. The overall product has the same properties as styrofoam, but can be easily discarded or even composted.

“Thanks to our specially developed ecological binder, RECOU can be shaped as desired, and due to comparable material properties, it has the potential to substitute petrochemical packaging solutions such as EPS (Styrofoam) and represent an ecologically sound alternative for many applications,” says Proservation.

Proservation is hoping that Recou can replace a major bulk of styrofoam in the current packaging ecosystem. The material has the ability to be molded just like styrofoam, albeit with a few limitations given the size of an individual husk. It takes anywhere from 6-8 hours to make each piece, and the overall product has a density of 120 to 150 kg/m³, which seems to be the one significant limiting factor, given that styrofoam weighs nearly 70% less. Recou is also designed to resist moisture and humidity, showing no signs of mold when stored at 70% humidity for up to a week… “However, if the material is permanently exposed to high humidity or moisture, the decomposition processes start and mold may occur,” the company says.

For industries/companies interested in transitioning to Recou, Proservation does sell a few standard products like corner-cushions for palettes, and is also open to molding specific products based on requirements. The company plans to have an industrial plant operational by some time in 2024, scaling up production for this unique no-waste bio-based alternative to styrofoam.

The post Your Next Package Might Be Cushioned by Upcycled Grain Husk Instead of Plastic Styrofoam first appeared on Yanko Design.

In a groundbreaking collaboration with CGV, South Korea’s leading movie brand, designer Haneul Kim has unveiled a remarkable initiative to address the environmental challenge of waste generated by discarded movie screens. These screens, often several meters long, are typically cast aside due to damage, contamination, or the dismantling of theaters. Haneul Kim’s innovative approach transforms these seemingly obsolete materials into stunning and functional lighting designs, marking a significant step towards sustainability in the design industry.

Designer: Haneul Kim

Kim’s inspiration struck when he noticed the perforations on the discarded screens, recognizing a visual similarity to aluminum perforated plates commonly found in industrial applications. This revelation led to the ingenious idea of repurposing the screens’ sound-transmitting function into a source of light emission. The result is a series of portable lamps that ingeniously utilize the small holes in the screens to emit light, turning waste into a source of illumination.

The Waste Screen Recycle project also pays homage to the legendary designer Mario Botta’s iconic shogun lamp. Known for its clean lines and geometric precision, Botta’s lamp incorporates perforations or cutouts, allowing light to diffuse elegantly. Haneul Kim’s homage work demonstrates the potential of waste screens to replace traditional lampshades, showcasing a fusion of sustainability and design aesthetics. The project not only repurposes discarded materials but also reimagines them in the context of established design classics.

The versatility of waste movie screens is further highlighted as Kim extends the project to include furniture pieces such as tables and chairs. These pieces showcase the original patterns found in waste movie screens, adding a touch of uniqueness and character to each creation. By exploring the potential use of these screens as interior materials for the future, Kim is pushing the boundaries of sustainable design and encouraging a shift towards more environmentally conscious practices.

The repurposing of waste movie screens into lighting designs and furniture pieces not only addresses the issue of waste in the entertainment industry but also demonstrates the potential for meaningful utilization across various domains. Kim’s project underscores the exceptional functional and aesthetic qualities of waste movie screens, positioning them as valuable resources for the creation of sustainable and visually striking designs. As the design world continues to grapple with environmental concerns, Haneul Kim’s innovative approach serves as a beacon, pointing towards a future where discarded materials are transformed into objects of beauty and purpose.

The post The Ultimate Example Of Upcycling: Repurposing Discarded Movie Screens Into Interior Products first appeared on Yanko Design.